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Frequently Asked Questions:
Agency Contact Info: For John Talbot: The Talbot Fortune
Agency, LLC queries@talbotfortuneagency.com FAQ for John Talbot, as
excerpted from Jeff Herman's Guide to Book Publishers, Editors and Literary
Agents: Education: B.A., Career History: John Talbot is a literary agent and former book
editor with twenty-four years of publishing experience. Prior to becoming an
agent he spent seven years with Putnam Berkley (now part of Penguin USA), where
he rose to the rank of Senior Editor and worked with such major bestselling
authors as Tom Clancy, W.E.B. Griffin, and Jack Higgins, as well as rising
literary stars such as Tom Perrotta. He published
national bestsellers in hardcover, trade paperback, and mass market paperback,
along with five New York Times Notable Books. He began his
editorial career at Simon & Schuster. Personal Interests: Categories I'm most interested in representing: I am most enthusiastic about representing
narrative nonfiction of all types, but especially history, immersive
journalism, current events, sports, pop culture and business. In fiction I am
particularly keen for thrillers and mysteries, commercial and upmarket women’s fiction, and literary fiction. For nonfiction, newspaper, magazine and Web
experience can be helpful; many books are generated from concepts first tried
out in articles and Blogs. A marketing platform, i.e. a Web site or Blog with a
large reader base, or a list of corporate clients and customers, and a track
record of speaking engagements and media appearances, can be the deciding
factor in getting the sale. On the other hand, some book deals happen in a
flash – a quick proposal based on a Blog that reflects the zeitgeist of the
moment, a passion or expertise of yours conveyed in just the right way at the
right time. There are no absolute necessities except for an author’s passion, a
desire to develop one’s craft, and the goal of communicating through
words. In fiction, I’m keenly interested in well-crafted
thrillers and good genre fiction in growth categories. More generally I am
looking for the fresh voice and perhaps new perspectives applied to familiar
situations. Writers with minority backgrounds and unusual experiences interest
me, as do writers of what Sue Miller calls domestic realism. Previous
publication online or in literary journals and magazines can be a plus, but is
not absolutely necessary. Oftentimes the most surprising and engaging material
comes from a writer who may not have published yet, or who’s been quietly and
patiently working away for months or years, ready to surprise and delight us
with a wonderful read. What I'm not interested in representing: I do not normally represent children’s books,
science fiction, fantasy, Westerns, poetry, or screenplays. If you were not an agent, what would you be doing
instead? Being an agent is what I was meant to do, and I
love it; I can’t see myself doing anything else. What's the best way for writers to solicit your
interest? Please see SUBMISSION
GUIDELINES page. We welcome all queries and endeavor to
respond to each and every one! Do you charge reading fees? We do not charge reading fees. What is the approximate ratio between
fiction and nonfiction at your agency? Right now it’s probably about 50% fiction and 50%
nonfiction, which is a nice balance. How would you describe an ideal
client? Our clients put passion into their writing and are
enthusiastic about what they do. They communicate well with their editors and
forge strong and responsive relationships with them. They love to read as much
as we do, and they’re the kind of people you’d enjoy hanging out with in bookstores
and coffee shops (when they’re not writing, that is, and sometimes when they
are!). How and why did you become an agent? Becoming an agent was a natural
progression from being editors. The work is similar, but we’re able to spend
less time in meetings and more time working with authors. We can also handle a
more eclectic range of material, and we get to work with editors throughout the
industry who share our passions and enthusiasms. What if anything can
a writer do to increase the odds of you becoming his or her agent? Put your passion into your work and just follow
the submission guidelines; we’d love to hear from you! Do you have any particular thoughts
about editors or publishers in general? Editors are without a doubt the hardest working
and most idealistic people in book publishing. Publishers
represent the best opportunity for gifted writers to get wide distribution,
readership, and money in what is an often difficult business What are your favorite films and TV
shows? Favorite Films: Any Given
Sunday, Chinatown, Eye of the Needle, Jaws, Jerry Maguire,
Risky Business, Once Upon a Time in America, School of Rock, Slapshot, To Die For, Working Girl, Wall Street. Favorite TV show: Burn Notice. Please list some representative
titles you have sold: Fiction: ESPRESSO SHOT: A Coffeehouse Mystery
by Cleo Coyle (Berkley Prime Crime), THE GHOST AND THE HAUNTED MANSION by Alice
Kimberly (Berkley); BEST WISHES ALWAYS by Lucy Finn (Signet Eclipse), BECOMING
FINOLA by Suzanne Strempek Shea (Pocket Books),
FORGIVE THE MOON by Maryanne Stahl (NAL Accent), THE DISTANCE BETWEEN US by
Bart Yates (Kensington); TOM CLANCY’S ENDWAR by David Michaels (Berkley), 24
DECLASSIFIED: Collateral Damage by Marc Cerasini
(Harper Entertainment), CSI: Nevada Rose by Jerome Preisler
(Pocket Star Books). Non-Fiction: ALL HANDS DOWN: The True Story
of the Soviet Attack on the USS Scorpion by Ken Sewell and Jerome Preisler (Simon & Schuster), WHILE EUROPE SLEPT:
How Radical Islam is Destroying the West from Within by Bruce Bawer (Doubleday), LAST FLAG DOWN: A Civil War Saga of
Honor, Piracy and Redemption on the High Seas by John Baldwin and Ron Powers
(Crown), RETAIL SUPERSTARS: Inside the 25 Best Independent Stores in
America by George Whalin (Portfolio), SUNDAYS IN
AMERICA: A Yearlong Road Trip in Search of Christian Faith by Suzanne Strempek Shea (Beacon).
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The Talbot Fortune Agency, LLC |
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